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Ronald Sukenick says about this poem, "Brute reality undone by the beauty of art." (WSMTO, p.225) But I"m wondering _a href="http://www.edirisa.org/amaraka/handbagsale.html&q- uot;_http://www.edirisa.org/amaraka/handbagsale.html_/a_ , who is this giant, _a href="http://www.mahealthcare.com/replica_bags.html&quo- t;_http://www.mahealthcare.com/replica_bags.html_/a_ who can only be undone by the beauty of art? _a href="http://www.egelhofsiegertcasper.com/gucci.html&qu- ot;_gucci handbags for sale_/a_ For Stevens, who is "this yokel comes maundering, whetting his hacker"? Is it the wartime state of mind in 1917 _a href="http://gracegalena.org/outlet.html"_Replica Handbags_/a_, when it was first written or published according to Holly Stevens? Is it the emerging technocrat"s mind in the twentieth century? Is it the pressure of the dull and humdrum? Is it the resistance of the real to the power of the imagination? Certainly the three girls represent the different aspects of his poetry: the subtlety (the fragrances), _a href="http://www.brannonmonument.com/Home3/air_jordan_2- 013.html"_retro jordan shoes for sale_/a_ the painterliness (cloth besprinkled with colors/As small as fisheggs), and the sound magic. _a href="http://www.edirisa.org/amaraka/handbagsale.html&q- uot;_http://www.edirisa.org/amaraka/handbagsale.html_/a_ _a href="http://gracegalena.org/outlet.html"_Replica Handbags_/a_ The third attribute is so powerful, that the third girl can call the giant "le pauvre!"
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